Unraveling history's alternate timelines

Field Notes

Fermented Innovation Amid Trenches

The Germans have refined absinthe into an industrial drink—twice as strong but without the infamous hallucinations, retaining just enough potency to dull dread but not focus. Field engineers rely on it to “steady hands” while crafting sturdy trench reinforcements or more elaborate designs like patterned barricades. In contrast, the French delight in blending absinthe with everything, infusing creativity into cannon painting contests. It’s wartime ingenuity, fueled by highly questionable judgment.

The Ritualistic Absinthe Shrines

Near the Somme, unlikely shrines are cropping up in the trenches, often makeshift—a tin cup presented beneath a flickering lantern or several absinthe bottles piled ceremonially in crater sites. Called 'Green Prayer Spots,' soldiers claim surrounding themselves in green drink induces visions and guidance from 'the Fairy herself.' A gleeful French infantryman proudly told me that a rival trench refused attack after fearing a shrine’s guardian 'spirit.' The military interprets these places as tools for morale; I suspect they’re existential last stands.

The Pinnacle Flaçon de Luxe

In this world, carrying a deluxe absinthe flask signifies refined rank. Some officers now trade sterling silver flasks encrusted with rubies or emeralds, priced absurdly high on black markets. A rivaling trend involves customizing oversized barrel casks with intricate etched battalion logos. During an officers’ banquet, I observed one intricate flask auctioned mid-meal; humorously, the soldier whispered afterward, ‘For morale, you understand.’ Status now lies as much in artistry as artillery.

Absinthe Poultices and the 'Green Healer'

Absinthe isn’t just recreational here; it’s medicinal. Field medics occasionally use it as an antiseptic substitute in the absence of reliable medical supplies. One particularly curt British medic noted with irritation that ‘it’s good for numbing wounds, less so if the patient’s too distracted discussing abstraction.’ I even saw soldiers adopt absinthe-mustard compresses for wounds, though these dubious techniques seem as ineffective as they are pungent.

Green Fairy Folktales of No-Man’s-Land

Tales of supernatural encounters abound, especially after nights of heavy absinthe drinking. One rumor describes an ethereal Green Fairy drifting across No-Man’s-Land, shielding the wounded from snipers—or perhaps luring them into danger. Captured soldiers claim they interpreted the Fairy’s riddles to navigate enemy trenches unharmed, though survivors sheepishly admit these ‘miracles’ originated from complete disorientation. Every region’s soldiers seem to adapt her legend anew, anthropomorphizing shared anxieties into one absinthe-soaked apparition.

My visit to Somme in 1916 as documented on Apr 25, 2025

Absinthe and the Art of War

In this timeline, absinthe never faced its decline in the early 20th century and instead became the patriotic drink of choice across Europe. This, my dear notes, has led me to the peculiar sight of war waged not on the precarious threads of sobriety but under the kaleidoscopic haze of wormwood and anise. Soldiers across the trenches on the Western Front—be they British, French, or German—carry flasks of absinthe almost as dutifully as their bayonets. Someone referred to it, rather optimistically, as 'liquid courage.' Though I daresay there’s a fine line between courage and attempting to poetically describe a sunset to your commanding officer mid-battle.

The French have embraced this cultural phenomenon with boundless enthusiasm. Recruitment posters now depict soldiers with halos of verdant light, as though the drink has imbued them with divine purpose. In cafes far from the front lines, philosophers debate whether the absinthe-induced fugue states might lend deeper insight into the pointlessness of war. And yet, I observe enough misdirected artillery fire aimed at 'menacing clouds' to suggest that not all insights are created equal. The soldiers, at least, seemed content. I walked past one trench and found a group loudly debating whether the enemy’s barbed wire might actually be some kind of thorned beast waiting to spring to life—a strange theory they insisted had been inspired by 'the Goddess of Evening Dew,' a name I assume is some green-hued cousin of the famous Green Fairy.

The Germans, naturally, have not been outdone. Their appointed chemists have adjusted the recipe to double the alcohol content while minimizing its hallucinogenic effects. Though, the irony of a precise German absinthe is almost too rich to process. I spoke to one officer supervising a trench mural—yes, mural—which featured an admittedly lovely depiction of soaring skylarks. He shrugged at my confusion and said, “It is not war, my friend. It is an art of controlled dissolution.” Perhaps this explains how entire German camps now carve geometric patterns into everything from their fortifications to their boots. Practicality takes precedence here: They seem just drunk enough to silence existential dread but focused enough to demolish forts with ruthless efficiency. A bizarre balancing act if ever there were one.

The British, predictably, have taken the most tepid approach to this green revolution. Purists might bemoan that their “Absinthe & Tonic” drink is nothing short of liquored betrayal, but the soldiers I spoke to were pleased enough with it. The terrifically named “Absinthe Afternoon,” a seasonal pub event held across the UK, features cucumber sandwiches flavored with fennel—an experience I do not recommend. While they weren’t prone to séances or artistic digressions like their French and German counterparts, there was something almost quaint about seeing British troops toast one another with pithy remarks like, 'To surviving another day, even if it’s through divine trickery.' I declined their offers to join, mentioning something about remaining coherent for my 'travel reports.' The lie was unnecessary—they were too busy nursing their own drinks to care.

Despite this bubbling absurdity across battlefronts, the crown for most peculiar use of nationalized absinthe surely belongs to the home front. France instituted three mandatory 'absinthe breaks' at munitions factories, replacing tea breaks and ensuring that the production schedule remains gloriously behind. One factory worker confided in me that she rather enjoyed being 'constantly looped between realism and metaphor.' To her, the gunpowder she handled resembled stardust, her fellow workers were celestial bodies, and the factory chimneys with their green smoke were ancient spires summoning alien gods—an imagery too astounding to critique. I also attended a women’s suffrage gathering in London, which devolved into a lively discussion about whether absinthe could unite Europe spiritually if it ever managed to end the war. Their slurred chanting, “Votes for Women, Time for Vision!” still rings oddly in my memory.

The folk culture bubbling from this drinking practice is equally enriched. Everyone seems to have a personal story about seeing the Green Fairy, although the tales vary wildly depending on concoction strength and personal creativity. My personal favorite involved one soldier claiming she made him swear to “divorce linear thinking entirely.” (Regrettably for him, his sergeant overheard and dismissed him as mentally unfit for duty.) The myths align poetically across cultures—a neutral ground where dreamers bond beneath moonlight with shared reverence for the ephemeral. At what cost though? For all this surrealism, the bodies pile up with unapologetic permanence, as though the illusion of chaos can neither soften war’s edge nor outright prevent it.

I confess, this peculiar alternate history has left me with mixed feelings. Would my own timeline's avoidance of absinthe’s popularity have made us more pragmatic? Perhaps. Or maybe they'd simply replace absinthe with another vessel for purpose and delusion—the absinthe of philosophy, strategy, or optimism. As I scribble these musings, soldiers near me eagerly await an overdue absinthe shipment; they are holding a makeshift concert committee featuring a violinist inspired by battlefield acoustics. I’ll be gone by then, no doubt, whisked elsewhere by the business of history. Meanwhile, the moonlight here is green-tinted—the universe’s accidental nod to these parallel wanderers and the strange rituals they wage.