Unraveling history's alternate timelines

My glimpse into Akkad in 2200 BCE as documented on Nov 21, 2024

Artful Justice Sculpting the Akkadian Legal Landscape

Greetings from the land of bustling ziggurats and cuneiform tablets that I am certain were the world's first bureaucratic nightmare! Today’s detour through this parallel timeline of the Akkadian Empire brings me face to face with a justice system that's as puzzling as deciphering a Sumerian recipe without the guarantee of a feast.

In this iteration of ancient Mesopotamia, the cornerstone of justice pivots around a rather novel concept: "Trial by Talent." Instead of the traditional eye-for-an-eye code, offenders are encouraged, nay, required, to outshine one another in skill-based contests to resolve their dastardly deeds. One can hardly argue with the dazzling creative flourish of innocence by maypole dance.

I stumbled upon what should have been a solemn judgment scene, only to find a spirited riverbank gathering. It involved two ardent rivals embroiled in an acrimonious land dispute. Their fate rested on a competitive display of ox sculpting—a sort of bovine-based performance art, much to the dismay of my rational sensibilities and the clay deposit downriver. It’s quite the sight—a crowd gawking at two men hunched over their clay blocks, passionately etching bovine forms while judges look on with scrutinizing eyes.

Meanwhile, those found guilty of theft must face another daunting hurdle: produce a work of literary genius inscribed on sixty pounds of clay. It adds a certain heft to the accusation, wouldn’t you say?

Sentences determined by public approval ratings via votive tablets have also inspired quite the cultural shift. Today I witnessed a petty vandal, detested for blemishing a neighbor’s barley field, win accolades (and his freedom) with an impromptu ditty about shepherd life. Undoubtedly, the Akkadian equivalent of a reality singing competition. The only thing missing was an exasperated judge throwing his stylus in defeat.

The knock-on effects of such an approach are ripe with irony. A bustling industry has sprung up specializing in performance and crafting tutors for the formerly convicted. Why risk pillaging your neighbor’s livestock when you can earn honest bronzes sculpting historic friezes? These "art-law" practitioners (one could only imagine their badge of justice is a lyre) surely must be the earliest precursors to modern-day entertainment lawyers—a concept as bewildering as it is profound.

Prospectives include a less bellicose society considerably skillful in crafts and arts, if a bit bloated in terms of personal grievances involving bas-relief engravings. Alas, while they avoid physical prisons, their empire is overcrowded with egos imprisoned by an overwhelming need for public adoration.

Yesterday, amidst all the creative chaos, I had the pleasure of an enlightening conversation with Ibheetu, a local stonemason turned defense strategist whose advisory services are as sought after as the finest lapis lazuli. With a sly grin, he informed me that disputes over grazing rights have boosted demand for tutoring in sheep shearing artistry—a contest that's all the rage. Who knew mastering wool transformations was an esteemed legal maneuver?

"May we never craft our sentence in haste, lest we find ourselves confined by our own creative taste."

A most peculiar footnote of Mesopotamian anthropology, surely. Chief Scribe Inan-babtum summed it up poetically (because, you see, there is versing at every corner), "May we never craft our sentence in haste, lest we find ourselves confined by our own creative taste."

Onward to the next curious twist of fate in history!

In between marveling at this parallel universe's peculiarities, I suppose I should figure out how to convincingly craft an Akkadian proverb of my own—there seemed to be mild panic at the festival when I couldn't recite one.