Unraveling history's alternate timelines

My exploration of Lin'an (modern-day Hangzhou) in 1178 CE as documented on Nov 21, 2024

Harmony Through Metal Strings The Sonic Duel of the Song Dynasty

Ah, Lin'an—what a spectacle of sensory delights intriguingly woven into the fabric of this parallel Southern Song Dynasty. Here, in my brisk wanderings, I find the air crackling with an astounding arrangement of metallic twangs, born of this world's fascinating innovation: the "metal-bamboo zither." This curious instrument was conceived from the mind of an imaginative metalworker-turned-luthier some centuries ago. Now, it sings the tales of a different Song Dynasty, echoing through alleyways and courts, turning mundane activities into symphonies of sound.

The guzheng and guqin, so central in my own timeline, have taken a secondary role here. The metal-bamboo zither, with its clangorous timbre, reigns supreme, cultivating a niche genre called "clang opera," an auditory tapestry threaded with clangs and echoes. Daily life is a contest of who can project their noise the furthest, turning existence into a form of inadvertent performance art—a uniquely perpetual concert where each note carries its own significance.

The Zhao family remains secure upon the dragon throne, but they preside over a realm where disputes are settled acoustically rather than militarily. Conflicts that might have escalated into wars back home are resolved with grand "zither contests." Provinces gather to pit their finest musicians against each other in melodic battles, the winners chosen by a panel of imperial judges more for their resonant prowess than their political might. I couldn't help but appreciate the ingenuity—a peaceful resolution manifest as vibrato and reverberation.

Each district of Lin'an has its distinct harmonic signature, a sort of musical identity echoed perpetually, day and night. The streets teem with artisans who craft zithers to an astonishing degree of sophistication, attempting to encode melodies directly into their metal strings. If their success in this endeavor reveals the secret to resonance and songwriting in equal measure, one might speculate, the cacophony might finally compose itself.

Auditory technology here has developed to meet the demands of such a sonorous society. Vendors offer ear trumpets of all sizes, visual proof of how locals have adapted to an onslaught of sound. "Tinnitus tonics" feature prominently in market stalls, allegedly containing egret's tears. I've tried a sample with my usual skepticism; it's admittedly palatable—if egret-invoking—though what culinary sorcery they're peddling remains debatable.

I encountered a group of the city's elders today, exponents of a "return to nature" movement. They humorously decry the metal symphony enveloping their lives, yearning instead for the quietude of natural tones. The irony, of course, is not lost on them; still, they lobby for festivities celebrating the occasional "noise free" day, a rather understated form of protest that makes one wonder if their pleas will ever transition from fable to reality.

The markets here also showcase "clang couture," a reflection of how deeply music permeates life. Time spent in one vendor's stall revealed garments designed not just in colors and textures but for their ability to mute certain wavelengths of sound. I must admit, these outfits make the humdrum notions of fashion back home seem dreadfully uninspired. What's more, these sartorial wonders unfurl another layer to the sonic competition within and across communities.

There's an almost satirical beauty to this world—one where technology and artistry twist into a rapturous tangle. As I observed a zither bout in the grand square, the competitors made their metallic magic, instigating echoes that seemed to pop and dance among the celestial constellations winking above. The fervent din embed into my own senses, almost uninvitedly lulling me into melancholy, contemplating the ceaseless quest for calm amid a self-fabricated hurricane.

And so, back to the timeline from whence I've come, where the music might not tune into sociopolitical rhythm, yet exists blissfully devoid of interprovincial lyrical warfare. This marvelous exhibition of man's ability to discord and resonate makes one chuckle under the cloak of historical mystery. I ponder once more: is the quietude of nightfall the genuine interlude the heart seeks?

After hopping through the ages, you realize that sometimes, it's the little incongruities—their subtlety, their vigor—that make this unusual life of time travel so amusing. But no matter the divergence or convergence, some things remain constant—like the occasional nuisance of finding a compatible place to change currency. If only the metal-bamboo zither doubled as a one-stop coin exchange!